AAM EXHIBITION SCHEDULE
FACING THE RISING SUN: FREEDMAN’S CEMETERY: PERMANENT EXHIBITION
Facing The Rising Sun presents the remnants of a once-thriving North Dallas Community. Facing the Rising Sun contains photographs, found objects, and historical documents that provide an insight into a community called Freedman’s Town and later known as short North Dallas and now known as Uptown. Interactive video kiosks allow visitors to see and hear from the people who knew Freedman’s Town first-hand.
THE SOULS OF BLACK FOLK: SELECTIONS FROM THE BILLY R. ALLEN FOLK ART COLLECTION AND THE DECORATIVE ARTS COLLECTION
The AAM, Dallas has one of the largest collections of African American folk art in the country. The Billy R. Allen Folk Art Collection, named for a founding board member, has grown to include more than 500 objects. Dr. Warren and Sylvia Lowe of Lafayette, Louisiana, Sally Griffiths and Dr. Bobby Alexander of Dallas, Texas have been major contributors. Pieces from the collection are rotated, twice each year, in the Sam and Ruth Bussey Gallery. Artists include Clementine Hunter, Mose Tolliver, Reverend Johnnie Swearingen, David Butler, Sister Gertrude Morgan, and Isaac Smith to name a few.
The Decorative Arts Collection consists of objects as early as the late 18th century. Some items are an 1824 coverlet; five pieces crafted between 1840-1850 by the legendary North Carolina furniture maker, Thomas Day (1820-1860); an 1888 crazy quilt; an 1830 slave made desk from San Augustine, Texas; and ceramics by Carroll Harris Simms, Co-founder of the Texas Southern University Art Department and Sandy Besser African Basket Collection. Also included is a silver teaspoon made by Peter Bentzon (1783-1850).
CARROLL HARRIS SIMMS: NATIONAL BLACK ART COMPETITION AND EXHIBITION
DECEMBER 17, 2020 – MAY 10, 2021
This exhibition program was originally named the Biennial Southwest Black Art Competition and Exhibition. It was established in 1976 at the African American Museum. The purpose of this exhibition program is to expand the Museum’s distinguished fine art collection and to provide black artists a venue to display their work. In 1999, the African American Museum Board of Trustees renamed the Biennial Southwest Black Art Competition and Exhibition the Carroll Harris Simms National Black Art Competition and Exhibition. The competition and exhibition attract artists nationally of African American descent.
DYNASTY: THE PECULIAR SEARCH FOR TOTALITY FEATURING ARTIST MISSY BURTON
MARCH 4 – JUNE 5, 2021
Dynasty is a photographic series that explores the timeline of one family’s search for freedom. The series focuses on the fictional family of “Dada” (I Am Woman Series) and their determination to return their lineage to freedom after “Dada” was captured and forced into the institution of slavery. I hope that you will engage with the stories & images in such a way that it will cause you to ponder how many generations it would take for this family to regain their politically free status. I partnered with historian, Jamie Jenkins to bring a level of accuracy to each character’s story that make it so believable, you will think it’s real.
TEARS: WEAPONIZED, DEVALUED AND RECONCILED?
MARCH 18 – JULY 24, 2021
An artistic examination of the tears black and white women cry and have cried today and in American history. It is a comparison and contrast of the value placed upon those tears and the faces down which they fall. The value of these tears, or the lack thereof, is an indicator of just how far we have to go toward fulfilling the vision of being a place where we all are created and valued as equals.
CONFEDERATE CURRENCY: THE COLOR OF MONEY
MARCH 25 – JULY 24, 2021
This exhibition investigates the importance of slavery in the economy of the South. Artist John W. Jones has researched and documented over 126 images of slavery that were depicted on Confederate and Southern States money. The juxtaposition of the framed Confederate Currencies with the acrylic paintings inspired by the slave images on the currencies makes a very powerful statement on the contribution of enslaved Africans to the American economy. In these paintings, as John says, “history informs art, which in turn artfully reveals more history”
BECOMING FEATURING ARTIST VALERIE GILLESPIE
JUNE 24 – SEPTEMBER 25, 2021
“Becoming” is an aesthetic exploration of the truth and illusion behind the often times unfortunate actions that stem from human nature. Our skin is what binds us physically, yet separates us emotionally. Through the use of pigment and skin tone, a visual representation of the pain of being the other is portrayed in each piece through the lens of an African American mother. In strength and with ones emotions guarded, pain is oftentimes overlooked or ignored. The masks we wear daily contribute to the seclusion and loneliness of what it feels like to be Black in America. Becoming is a visual journey of the bold and beautiful elements that define African American women. It is this beauty that often creates the divide, but illuminates the magic that we possess.