EXHIBITIONS

AAM EXHIBITION SCHEDULE

2025

Permanent Exhibits

FACING THE RISING SUN: FREEDMAN’S CEMETERY

Facing The Rising Sun presents the remnants of a once-thriving North Dallas Community.  Facing the Rising Sun contains photographs, found objects, and historical documents that provide an insight into a community called Freedman’s Town and later known as short North Dallas and now known as Uptown.  Interactive video kiosks allow visitors to see and hear from the people who knew Freedman’s Town first-hand.

The Sam & Ruth Bussey Art Gallery | Imagination and Materiality: The Power of Memory and Storytelling in Black Art

Reinstalled November 2023

The AAM, Dallas has one of the largest collections of African American folk art in the country.  The Billy R. Allen Folk Art Collection, named for a founding board member, has grown to include more than 500 objects.  Dr. Warren and Sylvia Lowe of Lafayette, Louisiana, Sally Griffiths and Dr. Bobby Alexander of Dallas, Texas have been major contributors.  Pieces from the collection are rotated, twice each year, in the Sam and Ruth Bussey Gallery.  Artists include Clementine Hunter, Mose Tolliver, Reverend Johnnie Swearingen, David Butler, Sister Gertrude Morgan, and Isaac Smith to name a few.

The Decorative Arts Collection consists of objects as early as the late 18th century.  Some items are an 1824 coverlet; five pieces crafted between 1840-1850 by the legendary North Carolina furniture maker, Thomas Day (1820-1860); an 1888 crazy quilt; an 1830 slave made desk from San Augustine, Texas; and ceramics by Carroll Harris Simms, Co-founder of the Texas Southern University Art Department and Sandy Besser African Basket Collection.  Also included is a silver teaspoon made by Peter Bentzon (1783-1850).

Current Exhibits

Protecting Cultural Memory
On view September 17, 2025 – March 2026

Protecting Cultural Memory is a compelling exploration of the Museum’s ongoing commitment to preserving, conserving, and safeguarding the priceless art, artifacts, and archival materials entrusted to its care. Offering visitors a rare behind-the-scenes perspective, the exhibition illuminates the essential work that ensures African American history, creativity, and cultural heritage remain protected for generations to come.

A significant component of the exhibition features objects preserved from the Museum’s Mr. Imagination Fire Exhibition. These works—shaped by the studio fire that once threatened to erase part of the artist’s legacy—provide a powerful lens through which to understand the urgency and impact of timely, skilled, and compassionate conservation. Mr. Imagination (Gregory Warmack), celebrated for transforming found and discarded materials into spiritually resonant sculptures, created art rooted in memory, imagination, and cultural meaning. The fire-touched pieces on view deepen the conversation around preservation, reminding visitors how vulnerable cultural heritage can be—and how essential the Museum’s protective efforts are in ensuring its survival.

Protecting Cultural Memory also highlights both the fragility and resilience of the Museum’s broader collections. Through conservation case studies, restoration narratives, and interpretive displays, visitors will learn how environmental conditions, time, and handling affect preservation—and how the Museum’s conservation practices work to counteract these forces.
The exhibition further elevates the contributions of archivists, conservators, scholars, and community partners whose expertise makes it possible to sustain these cultural touchstones. From repairing works on paper and stabilizing aging textiles to conserving material culture and digitizing vulnerable archives, their collective efforts reflect a broader mission: to honor the past by protecting its physical record.

At a time when the preservation of African American history is more crucial than ever, Protecting Cultural Memory underscores that conservation is not merely a technical practice—it is an act of respect, responsibility, and cultural continuity. Each restored artwork is a memory reclaimed. Each preserved archival box is a chapter safeguarded. Together, they form a living testament to the richness, complexity, and enduring legacy of African American life.

Visible Thoughts The Visual Language of Morris Yanger
On view September 18, 2025 - April 2026

Visible Thoughts: The Visual Language of Morris Yanger celebrates the expressive, deeply intuitive artwork of Morris Yanger, a distinguished Dallas-based artist whose vibrant compositions explore the intersections of memory, identity, and spiritual reflection. Rooted in a lifelong commitment to creative exploration, Yanger’s work translates the unseen—emotion, intuition, and lived experience—into a bold, visual language all his own.

Drawing upon abstraction, symbolism, and rich, layered color palettes, Yanger creates paintings that invite viewers into an interior world made visible. His canvases pulse with movement and emotion, offering glimpses into the artist’s processing of the world around him: the weight of history, the complexity of human relationships, and the quiet revelations that emerge through self-examination. Every stroke carries intention; every composition encourages viewers to look deeper, feel more fully, and engage with questions that lie beneath the surface.

This exhibition presents a dynamic selection of works spanning key periods of Yanger’s artistic evolution, showcasing his growth from early expressive figurations to the bold, gestural abstractions that define his mature style. Through form, texture, and improvisational mark-making, Yanger builds visual narratives that are at once personal and universal—stories of resilience, curiosity, and the transformative power of art.

Visible Thoughts offers visitors an immersive encounter with the inner landscapes of a contemporary African American artist whose voice continues to shape and influence the Dallas arts community. Yanger’s work stands as a testament to creativity as a form of language, healing, and connection.

Sunday Call to Church: The Art of Clementine Hunter
On view December 5, 2025 – March 6, 2026

Sunday Call to Church: The Art of Clementine Hunter invites visitors into the vibrant world of one of America’s most admired self-taught folk artists. Through her bold colors, expressive brushstrokes, and deeply personal storytelling, Clementine Hunter (1887–1988) chronicled the everyday rhythms, rituals, and spiritual life of Black communities in rural Louisiana.
 
Born on the historic Melrose Plantation, Hunter began painting in her fifties using whatever materials she could find — leftover paints, discarded boards, window shades. What emerged was an extraordinary visual memoir of African American life: baptisms and Sunday services, tending fields, celebrating weddings, honoring loved ones, and gathering in fellowship. Her work captures moments that are intimate, communal, and profoundly human.
 
This exhibition brings together a powerful selection of paintings from private collectors and the Museum’s own distinguished folk art collection. Visitors will encounter scenes of faith and devotion, the warmth of community life, and the beauty found in everyday labor. Together, the works illuminate the strength, creativity, and spirit of the people Hunter painted — offering a rare and moving window into Southern Black heritage.
 
Sunday Call to Church not only celebrates Hunter’s artistic legacy but also affirms the importance of preserving cultural memory. Her paintings serve as historical testimony, storytelling, and artmaking fused into a single, resonant voice — one that continues to inspire generations.
Admission – Free and open to the public.
 
Sunday Call to Church: The Art of Clementine Hunter is generously supported by the City of Dallas Office of Arts and Culture and presenting sponsor Bank of Texas. 

Icons of Liberation: King and Mandela
On view January 15 - April 17, 2026

The African American Museum, Dallas presents Icons of Liberation: King and Mandela, an exhibition that explores the shared leadership values and global impact of Dr. Martin Luther King Jr. and Nelson Mandela. The exhibit officially opens February 1 and continues through March????
Though separated by geography and historical context, King and Mandela were united by a commitment to dignity, ethical leadership, and collective responsibility.
 
Through photographs, historical texts, interpretive panels, and student-centered learning tools, the exhibition highlights how their ideas shaped movements in the United States and South Africa—and why their leadership continues to matter today.
 
Designed to engage students, families, and educators, Icons of Liberation: King and Mandela invites visitors to reflect on leadership as a practice rooted in values, courage, and responsibility to others.
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